#Hardest song on good am mac miller movie#

ItРІР‚в„ўs the instrumental, produced by Ian Kirkpatrick and with backing vocals from Julia Michaels, and its countless little embellishments that push the track over the top for me. Dua, of course, delivers her vocal lines with flawless composure, as she does on every track on Future Nostalgia. ItРІР‚в„ўs a tender come on that has enough vulnerability to feel relatable. The lyrical themes are like many other tracks on the album approaching a new romantic encounter with the resolve to maintain your composure, but soon finding your defences lowering themselves against your better judgement, and falling head over heels again, your racing mind soothed by the comforting presence of your new partner. Despite that itРІР‚в„ўs a deceptively typical song for the album. РІР‚СљPretty PleaseРІР‚Сњ is my favourite song from my favourite album of 2020. ItРІР‚в„ўs far and away the weirdest song IРІР‚в„ўve heard all year, and all the more fantastically enjoyable for it. The second half is a lot more restrained, but little less entertaining, with Peggy delivering a supremely catchy melodic flow over a warbling synth line.

#Hardest song on good am mac miller movie#

If youРІР‚в„ўve seen the movie Frank where the mentally ill title character attempts to compose his РІР‚Сљmost likeable song everРІР‚Сњ, then youРІР‚в„ўll have an appreciable grasp of what youРІР‚в„ўre in for. Over this Peggy delivers simultaneously the hardest and the funniest verse of the whole year, declaring his intentions to РІР‚Сљgo popРІР‚Сњ and this piece of madness is his ironic attempt to do so, stacking the verse with clout chasing disses directed at Drake. The song is broken into two distinct halves, the first of which is absolutely insane, the instrumental is a broken cacophony of cymbal crashes and chanting, with a wet-sounding ticking beat and an assortment of random sound effects.

РІР‚СљCovered in Money!РІР‚Сњ is easily my favourite track of his. ItРІР‚в„ўs rare that I enjoy the music of underground, experimental rapper-producer-singer JPEGMAFIA as much as I wish I could, but heРІР‚в„ўs consistently improved since the release of his pretty rough debut РІР‚СљBlack Ben CarsonРІР‚Сњ and his many non-album singles of 2020 have been his best material to date.

However, IРІР‚в„ўm fairly content with the ten songs IРІР‚в„ўve refined my choices down, although I have been anxious to avoid repeating myself and instead spotlight songs and artists I havenРІР‚в„ўt had the chance to publish about before. Nonetheless, I heard a lot of music I loved this year, and out of more than a hundred albums, picking just ten tracks to single out for particular adulation was no small challenge.

I know itРІР‚в„ўs likely that any exceptional qualities the year might seem to have likely arisen from a combination of recency bias and the fact that itРІР‚в„ўs only in recent years that I have begun devouring albums so assiduously. The harder you look, the more youРІР‚в„ўll find thatРІР‚в„ўs worthy of praise, so IРІР‚в„ўll make no broad claims about what a phenomenal year 2020 has been for music. IРІР‚в„ўve long held the opinion that the era of art with the most merit is always the one you most study.